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Catalogue of the Byzantine and Early Mediaeval Antiquities in the Dumbarton Oaks Collection
Marvin C. Ross
Harvard University Press, 2005
Marvin Ross’s groundbreaking catalogue of jewelry in the Byzantine Collection at Dumbarton Oaks was first published in 1965. The volume has long been out of print, but its enormous popularity and enduring status led to a reprint, this time with color photographs. Accompanying the reprint edition is an addendum by Susan Boyd and Stephen Zwirn with twenty-two new objects acquired by Dumbarton Oaks Collection between 1962 and 1999.
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Dumbarton Oaks
The Collections
Gudrun Bühl
Harvard University Press, 2008

Dumbarton Oaks houses the extraordinary art collection begun by Mildred and Robert Woods Bliss. In this book the museum publishes the specialist collections in Byzantine and Pre-Columbian art, along with examples from the Blisses’ superb European collection, for the first time.

When Robert Bliss recalled handling a jade Olmec figurine in 1913, he said, “That day, the collector’s microbe took root in—it must be confessed—very fertile soil.” The Blisses’ passion for art bore fruit in a remarkably diverse collection: Flemish tapestries, Renaissance furniture, and paintings by the likes of El Greco, Renoir, and Degas. The celebrated Byzantine collection includes floor mosaics from late antique Antioch, sumptuous jewelry, carved ivory reliefs, liturgical silver, and a comprehensive coin and seals collection. The Pre-Columbian collection showcases fine jade carvings, gold jewelry, monumental sculpture, ritual weaponry, colorful ceramics, and intricately woven textiles.

The publication of this new guidebook coincides with the complete refurbishment of Dumbarton Oaks and the creative reinstallation of the galleries. The curators offer highlights of the collection, accompanied by a lucid and thought-provoking text. Dumbarton Oaks: The Collections is intended as a valuable resource and a pleasure to read for scholars and nonspecialists alike.

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